I hope that everybody had an excellent holiday season and received gifts which caused them joy, and I would like to remind you that these gifts don’t stop coming once the holidays are over. We receive gifts in the form of hope for the future constantly, and these less tangible items help us to make it through our daily lives because something beautiful may be on the horizon. Being as this is a music blog and I am a man who love speculating on future music releases, here are some artists who are probably due to release their new album at some point in 2014.
I wasn’t a fan of his when I saw him play live at our Birthday show back in 2011, but Avi Zahner-Isenberg’s ability to put together a terrific studio album shouldn’t be doubted. His self-titled debut album from 2010 holds some fantastic songs on it, such as “Summer Cum” and “What’s In It For?“. I can’t find an official page on the promise of an album from him in 2014, but his wikipedia article does suggest that the sophomore album was being constructed in 2013 and therefore can be hoped for in the upcoming year.
Purely speculation on my part, but the band has last released an album in 2011 and have only released the EP Undersea since then in 2012. For a band that’s still actively touring and writing music, I have to speculate that 2014 could reveal the fifth studio album for this talented band to display their version of soft and experimental folk-rock.
Consistently interesting and well established to the point that he’ll be able to do basically whatever he’d like, Beck is at an ideal place for a musician to be. His last studio album was done back in 2008 and was widely praised in Modern Guilt but that won’t be true for much longer as we are about to hear Beck’s twelfth studio album in February of upcoming year named Morning Phase, supposedly with a ‘Sea Change’ vibe to it.
Bombay Bicycle Club
A much anticipated album by me because A Different Kind of Fix was such a stellar release by the group. How will they follow it up and how much will the sound change? I guess we’ll find out on February 3rd
Honestly I don’t care to much about the release of the next Brand New album because I think I’m out of the age range where they should be relevant to me. I would agree that they are a legitimate band though, and they’re loved by a lot of my friends who know their stuff about music so it’s worth covering here that they’ve been touring a lot recently and supposedly said at a show that they have been recording new material.
Attack on Memory was one of the finest releases out there in 2012, but it seems promising that they’re hinted 2014 release will be a different sound from the Cleveland noise-rockers. They’ve promised a sound which is more true to their playing style and thus the upcoming album should be expected to be more similar to the track “Wasted Days” and not-so-much like “Fall In“. Either way I’m interested in seeing how quality of a release it is and how close they come to crossing over to punk or grunge in the process.
Death Cab For Cutie
We’re definitely out of the golden-age for this band, but I’m hard pressed to say that I won’t give a listen to anything that Gibbard releases out of respect for his voice and past writing experience. The group posted a photo on Instagram three months ago to announce the beginning the band’s work on their eighth studio album.
Death From Above 1979
It’s hard to not imagine the ‘what if’ for this band and their potential re-emergence into the music scene, filled with energy packed guitar rock hopefully. The album could be coming out in 2014 and I’m hopeful for it being awesome as this could make Canada the place to be for modern noise-rock as it could claim Japandroids and Death From Above 1979 (and Metz too if you want to throw them in that category).
The fact that this album is coming three years after Portamento is actually a blessing because it will say a lot about how good the band actually is. Their music is incredibly fun to listen to, catchy and funny, but I’m of the opinion that a lot of artists can write about their failed past relationships in a pop song. I’m interested in hearing the band’s third studio album because I believe it will be a defining point for what kind of band The Drums will be in the future.
I really hope that Jonathan Tillman’s departure from the band is as insignificant as the phrase ‘The Drummer from Fleet Foxes left the band’ suggests, but I don’t think that’s a fair viewpoint because Tillman went on to release a fine solo album in Fear Fun under the moniker of Father John Misty. Still, you should be excited for the future of this band because the last time they released an album it was 2011 and they out-shined Bon Iver’s Bon Iver ,Bon Iver that year in my eyes with Helplessness Blues. The band has indicated via photos on their Facebook page that they are currently working on album number three.
Guided By Voices
A safe bet in any year to release an album or two so long as they’re active, Robert Pollard must be writing constantly.
The Hold Steady
I love Craig Finn as a lead singer, and I’m very much so anticipating hearing what lines he gets on the upcoming album (can it be much better than “She said the theme of this party’s the Industrial Age/ And you came in dressed like a train-wreck”?). Hopefully they do a national tour in support of the release because this is a band who I would absolutely love to see play live.
Haven’t seen any news that this one’s being worked on but the band has never taken more than three years to release an album, even for their most recent double album Hurry Up, We’re Dreaming back in 2011. Their next release will say a lot about how much of a premiere alternative electronic artist the band is because their last two albums have been spectacular in the aforementioned Hurry Up, We’re Dreaming as well as Saturdays=Youth in 2008.
I don’t know to much about the band, but I do know that their last album release in 2011 was The English Riviera and that one is viewed as a classic by WCDB DJ Luuk. The follow-up to that album is going to be named Love Letters and is scheduled to come out on March 10 according to their website.
Isaac Brock did decide to name his label Glacial Pace for a reason, though even with that in mind it’s difficult to imagine 2014 passing without hearing the new Modest Mouse album. They’ve been testing out new songs at their live shows for about the past year now, including songs being played at major festival shows, and it was well reported that they went into the studio with Big Boi of all people back in 2011 to work on new songs. I’m excited obviously as this is my favorite band, but it’s also going to be really interesting to see what a Modest Mouse album sounds like when Brock takes five years to actually put the thing together. It’s hard to imagine a potential product that has a lot of holes in it.
The Mountain Goats
‘Due’ is a funny word to use hear because we just heard from this album in 2012 with Transcendental Youth, but John Darnielle’s history shows that this band has never had a three year gap between albums. They’re one of those bands who excel by working and writing constantly, and because of this we may very well be treated to their next album in the upcoming year.
The New Pornographers
This Canadian super-group is the most consistent modern pop group out there in my opinion, and they’ve been in the studio to record new material in the middle of last year. That article seems to suggest that the album may already be done, and I’m not sure about the validity of that statement, but I would place a monetary bet on the fact that there will be a new New Pornographers LP out within the next year.
The Pains of Being Pure at Heart
It’s not speculation to say that they plan on releasing an album in 2014, but it is speculation to say that I think it will end up being one of the defining albums of the year. The band has had an absolutely stellar first two albums in S/T and Belong, and the timing seems right for this band to step into the spotlight.
No news on a new album by this group, but ‘an album every two years’ seems to be a relevant statement with this band’s discography, and their last release was in 2012 with Observator.
The band announced via Youtube videos (#1 and #2) that their third studio album will be released in 2014. I’m excited for it because I enjoyed Days a lot in 2011 and find their music to be relaxing, but this album should mean something significant about how legitimate of an artist the group is. Third releases mean a lot, and we’ll see if the band has progressed the sound for their third release or not rather soon it appears.
See: Guided By Voices
His Wikipedia page states that he did a live show in 2013 where the venue stated he was playing new songs from his forthcoming album, so that’s what we have to work with here. It makes sense since his last album release came out in 2011, and it’s the better alternative to just drifting out of music which it seemed like he may have been heading towards before I heard this news, so this is a good thing.
You talk about ‘cool’ bands in the music scene, I will contend that Britt Daniel is the coolest man in the music scene, and I can not freaking wait to hear the next album by this band which will supposedly get released in 2014. The band has been very consistent with their quality so I’m liking the chances of Spoon putting out one of the better albums of the year once it does actually get released.
Stephen Malkmus & the Jicks
Wig Out at Jagbags is set to be released on January 7 2014, thus making it the earliest release to be excited about that I’m aware of. Malkmus is a terrific front-man, and if they consistently give hysterical social commentary like they did on “Senator” off of Mirror Traffic in 2011 then I will be one happy man.
The time seems right to start hoping for a new release from Sufjan. He did release his second Christmas Songs box set in 2012 with Silver & Gold: Vols. 6-10 but the last true album which we’ve received from him was the widely experimental and interesting Age of Adz back in 2010. It should be very interesting to hear what direction Stevens chooses to take for his next album as the last one was so unprecedented that it’s difficult to know if it is a permanent sound shift or an artistic experiment in the same way that Arcade Fire’s Reflektor is making me ask the same question about that band. Guess we’ll just have to wait to find out in both cases.
The band’s got a lot of attention on it after the success of Lonerism in 2012, so if 2014 does hold the follow-up to that album then there will be a lot of coverage on Tame Impala in the upcoming year. For most band’s that rise to national recognition is a wonderful thing and justification for the effort, but I’ve got to speculate on how well they would handle the actual role considering the recurring song themes, and even the actual album name of their last release. A band that has the talent to be a premiere group, but a band who likely don’t feel comfortable with the modern social demand that fans give to their favorite artists, and the truth is that there’s absolutely nothing wrong with that if that’s how they prefer to work.
A motivated Patrick Stickles is a wonderful thing to hear as The Monitor has shown us, and the upcoming release is getting billed as a 30-track modern rock opera with the theme of Manic Depression. In other words, this release is probably going to be mind-blowingly good while also being completely different from anything else that they’ve released before. There’s a lot of reason for excitement about this release.
No announcement of studio work for the group, but that doesn’t seem all that strange since Tweedy does all of that stuff internally now anyways. The last time we got a Wilco album was the solid The Whole Love back in 2011 so it would make sense to hope that 2014 will be the landing point for studio album number nine from the group.
Anybody else? Likely. Realize that while it’s incredibly fun to speculate on what albums are going to define the upcoming year, it’s a difficult thing to be completely accurate on because years will often get best represented by albums which nobody saw coming. Still, these are all releases which are going to demand a listen from me and carry the hope that 2014 could be an excellent year for music where many talented artists are due for their latest release.
A lot of the albums that I’ve given the “essential” label represent a sound that’s proven to be influential and innovative, so that knowing their place within alternative music is important for the sake of understanding the genre. By this definition Kill the Moonlight by Spoon doesn’t fit in with the category because it didn’t change much of anything; but it’s still a must-listen album because of how easily lovable it is and it’s role of representation for a band that doesn’t get enough love in my opinion. Metacritic named Spoon the top artist of the 2000’s because of how consistently great their records were, and I still firmly believe that Britt Daniel has the coolest voice that you’ll find in the genre, but Spoon is rarely mentioned among the elite alt-rock bands from the past decade for some reason. That’s why Kill The Moonlight is extremely important, within a terrific discography this is the album that has an iconic claim to it and will likely define the career in the future of a band who deserves to be remembered.
Continue reading Essential Albums: Spoon- Kill the Moonlight
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