Tag Archives: End of Daze

Album Reviews: Bombay Bicycle Club, The Dum Dum Girls, & Modern Baseball

So long, See You Tomorrow

Bombay Bicycle Club- So Long, See You Tomorrow

Grade: B+

Release Date: February 3, 2014

Bombay Bicycle Club’s become pretty gigantic recently as this album’s already hit number one on the UK albums chart, and it’s difficult to have an issue with that when their last release A Different Kind of Fix was as impressive as it was. What the band does is an experimental and electronic style of music where they attempt to complicate the pop elements being displayed by adding more instruments, studio effects, and vocal layering to the final product. This is something which they are extremely good at managing, as I’m not a believer that Bombay Bicycle Club is one of the premiere artists in music but they are one of the best out there at enhancing their music with the modern technology that’s available to them. It doesn’t become over-complicated or lose it’s pop roots, and because of that everything remains immediate and direct so it’s a naturally appealing sound which has plenty of unique qualities to it. This is what has provided them with such a large fan base in all likelihood, and as long as they continue to release albums which are as well thought out and well produced as So Long, See You Tomorrow then they are deserving of it.

Top Tracks: “Whenever, Wherever”, “It’s Alright Now”

Dum Dum Girls Too TrueDum Dum Girls- Too True

Grade: B-

Release Date: January 22, 2014

The Dum Dum Girls’ latest release before this came back in 2012, when their EP End of Daze was actually one of the better releases of that year. That release demanded your attention with it’s beautiful production, surprising song variation, and a terrific finale in “Season in Hell”, but the mentality of those tracks doesn’t seem to have been carried on to the group’s third studio album. The sound has gravitated more towards what former Dum Dum Girls member Frankie Rose has been doing in her solo work, which could still work beautifully as Franke Rose proved with Interstellar, but it doesn’t seem to have quite worked out in this instance. The product is good and the production is excellent once again, but the songs lack the necessary qualities which allow them to be identifiable, and this hurts the product in two ways; It’s difficult to find the peaks on this album which you search for as a listener, and the product tends to bleed from track to track so that you’re susceptible to mindless listening. Too True is a fine album, but it’s starting to make more sense why their most easily enjoyed release was an EP.

Top Tracks: “Evil Blooms”, “Too True To Be Good”

You're Gonna Miss It All

Modern Baseball- You’re Gonna Miss It All

Grade: B+
Release Date: 2/11/2014

There’s a lot of things which can be easily held against You’re Gonna Miss It All. It’s a very in-the-moment album filled with with an Instagram reference, conversational lyrics, and similar song structure from track to track. These qualities mean that the sound probably won’t be relevant for years to come, but this is a  release where that might not matter so much anyway. Some of the reasons for why that may be is how they fit perfectly into today’s pop-punk scene, and how they bring so much energy to the table while singing about potentially relatable self-defeating stories. There’s also a good amount of wit present in the lyrics as well, like the well-stated attack in “The Old Gospel Choir” which states “Sharp as a tack, but in the sense that you’re not smart, just a prick”. It’s difficult to say how long people will be interested in listening to this latest Modern Baseball release, but in the moment it’s a breath of fresh air which provides an easily enjoyable listen.

Top Tracks: “Your Graduation”, “The Old Gospel Choir”