Release Date: 10/28/2013
Staying fair with this album is difficult. On one side, the Arcade Fire and Reflektors buildup was gigantic and the live show I attended(and covered in another post) was the best live event that I’ve ever seen. This seemed to set the table for this to be an almost unfathomable ‘next-step’ for a band which was already one of the premiere names within the alternative music scene, and a band who was already following up on an album which won album of the year in 2011. In my opinion, that next step didn’t happen on Reflektor, but you can’t hold the fact that an album didn’t turn out to be a classic against it when grading. Reflektor is a very good album which contributes to the dream of reviving disco in 2013, and it’s awesome to hear that when Arcade Fire collaborates with James Murphy the product can legitimately be played and danced to at random venues. There’s also a few new Arcade Fire gems like “Normal Person”, “It’s Never Over (Oh Orpheus) “and my personal favorite “Here Comes The Night Time”(which I personally believe will become as hypnotic and repetitively played as “Feels Like We Only Go Backwards” was for Tame Impala in 2012). Reflektor is much better than the average record that you’d hear, which is why it deserves an A-, but it’s hard to mark it higher when it’s likely the third or fourth best Arcade Fire album out of their four releases(Neon Bible being it’s competition). The final viewpoint for me is that it’s really cool to hear Arcade Fire do disco, but I don’t think that this product is as good as what they’ve done before, so I hope it’s not a permanent sound shift.
Release Date: 10/14/2013
Cults had an outstanding self-titled debut album back in 2011 which showed a lot of promise for the indie pop duo, but there was a bit of an odd development in between that release and their sophomore effort Static. Madeline Follin and Brian Oblivion decided to split and end their relationship, but maintain the band and continue releasing music together, a snippet which makes tracks like “Always Forever” a bit of an awkward listen. Static is a step back for the band in terms of the energy and catchy pop choruses which were present on their debut, but this album is still a fun listen even if it is an unspectacular release.
Release Date: 10/08/2013
Dale Earnhardt Jr. Jr. and Cults actually have a lot in common, both indie pop duos released terrific debuts in 2011 (Dale Earnhardt Jr. Jr.’s being It’s A Corporate World) and released their second albums within a week of each other. It’s a tough band to judge because Dale Earnhardt Jr. Jr. is exceptionally good at making music with pop gimmicks in it, which begs the question of if an album should be judged based upon how enjoyable it is or how likely it is to last the test of time. The Speed of Things is not an album which is going to inspire people to make new music or make people marvel at their sources of inspiration, but the album is a tremendously fun listen with moments that are surprisingly beautiful. Hopefully increased exposure for the band inspires them to take more risks in future projects about song topics because they have a great pop sensibility, and it would be fun to hear what a more ambitious project by them would sound like.