Tag Archives: Take It Easy (Love Nothing)

Kyle’s Favorite 100 Songs: 40-31

Here are numbers 40-31 on my countdown of my 100 favorite songs.

40. The National- All the Wine

I’m in a state/ I’m in a state/ Nothing can touch us my love.

There’s an nice double reality going on in this song. In the present, this man is a danger to everybody around him as he drunkenly stumbles his way through the city, but that’s not what’s going through his mind at all. For him this is the point where he’s finally become what he’s always wanted to be, he’s reached a state where he can view himself as the protector for his family, but he doesn’t realize that he’s currently one of the psychos he swears to protect them from. He’s in a state, but his interpretation of that is that “nothing can touch us my love”.

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39. Bright Eyes- Take It Easy (Love Nothing)

“Someone might get hurt, but it won’t be me/ She’ll probably feel cheap, but I just feel free, and a little bit empty.

There’s more meaningful Bright Eyes songs out there, but not many more which you could relate to as easily as “Take It Easy (Love Nothing)”. It goes into the first time that you have a sexual encounter with someone and find out that they didn’t want it to mean anything, and the changes that come from that. You end up doing the same thing to other people because you desensitize yourself to the act when it seems that the only real solution to avoid getting hurt is to love nothing. It ends up just being a phase, but it’s a tough one and I like hearing it be described so well in this track.

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38. Beirut- Elephant Gun

“If I was young I’d flee this town.”

I recently made the decision that I wanted to leave New York in order to put myself into a situation where I can actually live, but this song was placed on this list before I’d even flirted with that notion. I like the mindset of wishing you still had youth on your side to afford making a drastic change, and in reality I’m fortunate that I can still claim mine. The whole song is very pretty and paced, and I love the continuous re-introduction of the horns that Beirut does to continuously re-build the energy of the song.

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