Tag Archives: LCD Soundsystem

Song-A-Day: February 4th

It’s a good day to dance for multiple reasons! For one, because I’ve taken off work tomorrow with the impending threat of a snow storm threatening my commute to work, and more importantly because today is James Murphy’s birthday! Murphy turns Fourty-Four today as a retired musician who’s career started in his early-mid thirties with the release of a single, one which joked about how out of touch he was becoming in “Losing My Edge”. That song was only intended to be a single, but when it received a terrific response due to it’s wit and depth of musical references present, Murphy’s career grew to become somebody who was nearly impossible to purchase tickets for at his sold-out final show at Madison Square Garden in only three albums time. Today Murphy works with other artists as a producer or contributor, and his impact is still being felt from this role rather clearly to this point in the music scene. Once again though, it’s fun to look back at beginnings with today’s Song-A-Day, “Losing My Edge”, especially when we do it with Spanish subtitles .

Yeah, I’m losing my edge.
I’m losing my edge.
The kids are coming up from behind.
I’m losing my edge.
I’m losing my edge to the kids from France and from London.
But I was there.

I was there in 1968.
I was there at the first Can show in Cologne.
I’m losing my edge.
I’m losing my edge to the kids whose footsteps I hear when they get on the decks.
I’m losing my edge to the Internet seekers who can tell me every member of every good group from 1962 to 1978.
I’m losing my edge.

To all the kids in Tokyo and Berlin.
I’m losing my edge to the art-school Brooklynites in little jackets and borrowed nostalgia for the unremembered eighties.

But I’m losing my edge.
I’m losing my edge, but I was there.
I was there.
But I was there.

I’m losing my edge.
I’m losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1974 at the first Suicide practices in a loft in New York City.
I was working on the organ sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, “Don’t do it that way. You’ll never make a dime.”
I was there.
I was the first guy playing Daft Punk to the rock kids.
I played it at CBGB’s.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I’ve never been wrong.

I used to work in the record store.
I had everything before anyone.
I was there in the Paradise Garage DJ booth with Larry Levan.
I was there in Jamaica during the great sound clashes.
I woke up naked on the beach in Ibiza in 1988.

But I’m losing my edge to better-looking people with better ideas and more talent.
And they’re actually really, really nice.

I’m losing my edge.

I heard you have a compilation of every good song ever done by anybody. Every great song by the Beach Boys. All the underground hits. All the Modern Lovers tracks. I heard you have a vinyl of Every Niagra record on German import. I heard that you have a white label of every seminal Detroit Techno hit – 1985, ’86, ’87. I heard that you have a CD compilation of every good ’60s cut and Another box set from the ’70s.

I hear you’re buying a synthesizer and an arpeggiator and are throwing your computer out the window because you want to make something real. You want to make a Yaz record.

I hear that you and your band have sold your guitars and bought turntables.
I hear that you and your band have sold your turntables and bought guitars.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records? This Heat, Pere Ubu, Outsiders, Nation of Ulysses, Mars, The Trojans, The Black Dice, Todd Terry, the Germs, Section 25, Althea and Donna, Sexual harassment, a-ha, Pere Ubu, Dorothy Ashby, PIL, the Fania All-Stars, the Bar-Kays, the Human League, the Normal, Lou Reed, Scott Walker, Monks, Niagra,

Joy Division, Lower 48, the Association, Sun Ra,
Scientists, Royal Trux, 10cc,

Eric B. and Rakim, Index, Basic Channel, Soulsonic Force (“just hit me”!), Juan Atkins, David Axelrod, Electric Prunes, Gil! Scott! Heron!, the Slits, Faust, Mantronix, Pharaoh Sanders and the Fire Engines, the Swans, the Soft Cell, the Sonics, the Sonics, the Sonics, the Sonics.

You don’t know what you really want. (x15)

Song-A-Day: January 24

Today marks a big anniversary as it’s the anniversary of LCD Soundsystem’s debut self-titled album back in 2005, crazy how time passes by. The Song-A-Day is going to head to a different artist though as we have other opportunities to show our respect towards LCD Soundsystem, but not as many to recognize the Cleveland-Ohio based noise-rock group Cloud Nothings who released the stellar Attack on Memory two years ago today. That album ended up being one of the best releases of that year, but this year’s promised successor is supposedly going to change up the sound a bit with the band shifting closer to a grunge-rock type sound and farther away from an indie-rock sound. Out of anticipation for that move, our Song-A-Day today goes towards one of the more grunge-sounding songs on Attack on Memory with “Wasted Days”.

Oh I know
My life’s not gonna change
And I live
Through all these wasted days
Never thought
That I’d end up this way
And I know
It’s gonna stay the same

I thought I would be more than this
I thought I would be more than this
I thought I would be more than this
I thought I would be more than this

And I know
I’m losing all my time
Doesn’t seem
Like it was ever mine
Didn’t seem
My own I don’t know why
Getting tired
Of living ’till I die

I thought I would be more than this
I thought I would be more than this
I thought I would be more than this
I thought I would be more than this

I thought I would be more than this
I thought I would be more than this
I thought I would be more than this
I thought I would be more than this

I thought I would be more than this
I thought I would be more than this
I thought I would be more than this
I thought I would be more than this

Kyle’s Favorite 100 Songs: 10-1

Here’s the finale: songs ten through one on my 100 favorite songs countdown.

10. Bob Dylan- Don’t Think Twice, it’s Alright

I ain’t sayin’ you treated me unkind/ You coulda done better, but, I don’t mind/ You just kinda wasted my precious time/ But don’t think twice, it’s all right.

I adore Dylan as an influence, how could you not when so many of your favorite artists view him as an inspiration, but there’s only one song of his which actually stops me in my tracks. “Don’t Think Twice, it’s Alright” captures Dylan telling his girl that he’s leaving, and that he is doing it because of her. It’s the chance of getting hurt in the relationship that scares everyone, and Dylan goes through a bad one here where the girl “Just wasted [his] precious time”, and Dylan blames her for it because she didn’t do enough to try and make it work. Still, he makes sure to let her know that she doesn’t need to worry about what she’s done to him, because this is a risk that he knew about going in. He’s going to be able to get over this. There’s no desire to see her again, and he knows that she never really had the intention of hurting him in the first place, it just didn’t work out, and that’s alright.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-

9. The Velvet Underground- Heroin

“Oh, and I guess that I just don’t know.

This list was made before the death of Lou Reed, but it’s difficult to not take that route while writing about it now. When Reed passed I had to learn about it through social media posts which took an overly symbolic approach to the subject, and as people re-explored his catalog they searched for the lyrics which suddenly looked more meaningful than previously thought. It’s cool that people found these connections, but I hated it because that overly-symbolic look wasn’t what Reed was about at all in my eyes. This wasn’t the man who tried to hide anything in his music, he was the guy who’d actually done it and wanted to let you how what it was. On “Heroin” we get a look at the the hope in the music alongside the gradual buildup and rush of the instruments which ultimately leads to the song’s ‘high’, but it never fails to fall back with what is in my opinion the best lyric that Reed ever wrote: “And I guess, that I just don’t know”.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-

8. Animal Collective- Fireworks

“They’ve got two flashing eyes and they’re colored why/ They make me, feel, that I’m only all I see sometimes.”

There’s so much joy in “Fireworks” once you learn what to appreciate in it. The narrator is an observant and self-aware man who dreams one day of having a family he can take to the beach, to watch the fireworks. In his current life though he’s dealing with the same monotony as the rest of us and  he’s learned the routine of how to ignore the repeated questions and tasks he encounters every day. Instead he gets lost in thought about what he hopes for, he thinks about what his kid will think the first time that he sees the fireworks, and all the wonder that will be in his eyes at that point. But what if the child was color blind and just wasn’t able to comprehend what he witnessed? This view on experiential learning reminds him that what he views in the world is completely shaped by how he happened to view it when he was growing up, and leads him to think that “I’m only all I see sometimes”.

Continue reading Kyle’s Favorite 100 Songs: 10-1

Kyle’s Favorite 100 Songs: 20-11

Here are numbers 20-11 on my countdown of my 100 favorite songs.

20. Daniel Johnston- True Love Will Find You in the End

But how can it recognize you unless you step out into the light, the light?

Daniel Johnston is a difficult musician to familiarize yourself with because, in honesty, there is a lot of bad music in his discography. The reason why he’s important is that Johnston, the manic depressive and schizophrenic, has moments in his music which reach absolute beauty. “True Love Will Find You in the End” is a song which begs it’s listener to not give up the belief that you will find the one…eventually. It’s a song to represent the hope that if you stay open and yourself for long enough, one day luck will turn your way and you’ll find the perfect person for you; and that’s the point of everything. You can build up barriers and try to send off a false message, but if you continue to be yourself and look for love then it will find you in the end. “True love is searching too, but how can it recognize you unless you step out into the light”? It’s a discouraging quest (“Don’t be sad, I know you will”), but he believes in the promise of the reward.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-

19. Bright Eyes- A Song to Pass the Time

“Now I have locked my actions in the grooves of routine/ So I may never be free of this apathy/ But I wait for a letter that is coming to me/ She sends me pictures of the ocean in an envelope

It’s not a part of “A Song to Pass the Time”, but the interview that precedes this song at the end of “An Attempt to Tip The Scales” is a very good introduction to this track. “A Song to Pass The Time” is told in a manner similar to what Dylan would do, in that they wrote down their observations and described real human interactions rather then trying to conjure a story with a point in mind. The difference between Dylan and Oberst is that while Dylan would say what was there due to his confidence and experience, the younger and depressed Oberst seems to focus on what he thinks is missing. Why does he love the mexican children kicking rocks in the street? Why are all the businessmen and suburban mothers so emotionless and repetitive? Why isn’t my desperation to stay close to the people who I’ve formed a close relationship with shared? I love the verse above because it shows Oberst’s hope that at some point love will just save him from all of this, and she’ll be able to help him understand everything that tortured him before.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-

18. The Postal Service- We Will Become Silhouettes

“We become silhouettes when our bodies finally go.”

I love tragic songs that sound happy, and “We Will Become Silhouettes” is the poster boy for that category. Death is still a certainty, in fact it seems to tell the story of an explosion which will is going to kill us all, but it’s become a celebration because that’s when our bodies will finally become silhouettes! We shall become immortalized once “our shells simply cannot hold all our insides in and [then] explode”. Tamborello’s music is cheerful and stuffed with simple, melodic rhythms to represent the joy of the song in it’s own beautiful way, only one example of how well these two worked together on the album.

Continue reading Kyle’s Favorite 100 Songs: 20-11

Kyle’s Favorite 100 Songs: 30-21

Here are numbers 30-21 on my countdown of my 100 favorite songs.

30. Sufjan Stevens- Casimir Pulaski Day

All the glory that the Lord has made/ And the complications when I see His face/ In the evening in the window.

There is a fantastic breakdown of this song right here. Stevens makes it the most genuine and sad song that he’s ever made in my opinion, and the storyline proves to be absolutely tragic. Death takes on a whole new level of sadness when it takes the life of a young girl, and this song shows the scene unfurl from the perspective of a young boy who was experiencing his first love with her. The sadness hits everyone, and it makes what was once a devout christian boy question why a good christian girl hasn’t started to feel better yet, and he fully loses his faith once he realizes that she’s actually dead and looks for God for an explanation only to see his own reflection. Now for every year there will be a chance for the entire city to remember the girl that he lost tragically, but nobody will be aware of it’s significance as anything more than Casimir Pulaski Day with the exception of the narrator.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-

29. Guided By Voices- Tractor Rape Chain

“Parallel lines on a slow decline/ Tractor rape chain.

“Tractor Rape Chain” is a song about a relationship, and it’s failures which are never going to end. The opening stanza shows that the couple can’t even trust each other anymore when they communicate, but they know that they’re still destined to spend the rest of their lives together. The song then moves into the bedroom of the couple where the husband struggles with the notion of divorce, but it’s something that he refuses to even consider, represented by a “ghost in [my] room and he says [he] better run”. The narrator can see the ghost, he can hear the ghost, but his entire life he’s told people he doesn’t believe in ghosts, so he just pleads for it to go away. Let him continue as his part of the “parallel lines on a slow decline” until his death arrives.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-

28. Okkervil River- Black

“You should wreck his life the way that he wrecked yours/ You want no part of his life anymore.”

Another incredibly sad plot line here as the narrator’s currently in a relationship with a girl who just revealed to him that something awful happened in her past (“Amy in the White Coat” style awful). Her father destroyed her life, and he didn’t get any repercussions for this. In fact he left to move on to a new wife, a new kid, and a new life where he trashes his old kid at any chance he gets (“You should say his name the way that he says yours”). The narrator gets furious at this story and what this man has done to her, and tells her that he’s going to rip this guy’s throat out, that he’s going to go to his new family and destroy his life by telling them what he’s done, but she tells him not to. In order to ruin his life she’d have to acknowledge him again, and she’s rather just have “no part of his life anymore”.

Continue reading Kyle’s Favorite 100 Songs: 30-21

Kyle’s Favorite 100 Songs: 50-41

Here are numbers 50-41 on my countdown of my 100 favorite songs.

50. Animal Collective- The Purple Bottle

“Sometimes your quiet and/ Sometimes I’m quiet/ Hallelujah!”

This one can interpreted two ways. For one, it’s an absolutely gorgeous song about falling in love with someone and having everything seem to be magically right. It’s the idealism which Animal Collective specializes in focused on David Portner(Avey Tare)’s relationship with Kría Brekkan, and it captures the absolute joy of believing you have found the perfect person. I like to view the song this way because even if songs last the test of time, their ultimate context has to be viewed in terms of when the song was originally released. I say this because Portner and Brekkan ended up having a divorce, which could change your perception from this being one of the most beautiful love songs out there into an absolutely tragic piece about what was lost. This is one of few songs that I choose to take the optimistic route on though, and I always smile when “The Purple Bottle” comes on.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-

49. The Beatles- She Said She Said

“I know what it’s like to be dead

I came so damn close to becoming one of those guys who stopped listening to the Beatles once he listened to alternative music, but “She Said She Said” saved me. Someone who approached John Lennon started to talk to him about the nonsense in their mind where he had a picture for what Lennon must be based upon how his music had effected his life, and Lennon had to let him know that he wasn’t that person. It’s such a quick and standard Beatles song but I adore it because of the feeling of obligation to tell people that you’re not the person they think you are upon introduction, and because Revolver is really an early influential album for the alternative rock scene.

+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-+-

48. Neutral Milk Hotel- Two Headed Boy (Part Two)

“When we break we’ll wait for our miracle/ God is a place you will wait for the rest of your life.”

My love for Neutral Milk Hotel is a bit awkward because Mangum is drastically more confident in religion than me . Mangum presents a perspective which shows that he not only believes in a god but that he’s confident that what that god does will be just, and thus the Two-Headed Boy will wake from this life to learn that he has been rewarded for the pain that he endured on the Earth, and that will last for the remainder of time. It’s not something I actually believe in, but hearing Mangum sing it is so beautiful that you find yourself praying for it to be true so there can be a happy ending, and because within that line of thinking a new possibility becomes available; Mangum meeting Anne Frank.

Continue reading Kyle’s Favorite 100 Songs: 50-41