Tag Archives: Heart Cooks Brain

Kyle’s Favorite 100 Songs: 70-61

Here are numbers 70-61 on my countdown of my 100 favorite songs.

70. The Flaming Lips- The Yeah Yeah Yeah Song (With All Your Power)

It’s a very dangerous thing to do exactly what you want

“The Yeah Yeah Yeah Song” brings up an excellent social point in my mind, in that we shouldn’t be able to critique those above us without first considering what we would actually do in that situation. No hypotheticals, if you were placed into a position where you actually did have power what would you do with it? The whole song is really an accusation that you would probably misuse the power you had too in some way, and that that’s just a natural part of being human and not something to hold against a person. Try to find the good things in those people and understand that they could be infinitely more cruel and inept than they currently are and we’re lucky to have them.

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69. Jeffrey Lewis- Chelsea Hotel Oral Sex Song

“If I was Leonard Cohen or some other song writing master/ I’d know to first get the oral sex then right the song after.

One of my favorite things in music is when you fall in love with a song on the first listen. I listened to “Chelsea Hotel Oral Sex Song” for the first time a few months ago and Jeffrey Lewis’ story-telling ability amazed me alongside his openness about being a nervous male. There are so many things that get captured perfectly within the interaction, like how he slowly becomes more confident as everything in the conversation seems to progress perfectly, but then he lets you know ahead of time that the conversation only lasted for a few minutes and he never saw her again afterwards. After this, you learn that not only did the girl like him but she basically invited him to have sex with her, but he still couldn’t bring himself to suggest it. That interaction is tough for him to look back on in hindsight, but he reveals that that wasn’t the true motive he had in mind while writing the song. Rather, he realized that he wrote a love song for a girl that met him for two minutes and who he will likely never meet again, and realized that there could be people all around the world doing the same thing. There may even be people out there doing this for you and me, and that’s a beautiful thing to consider.

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68. The Mountain Goats- No Children

“I hope you die. I hope we both die.”

This was the Mountain Goats track that introduced me to the side of John Darnielle which is crazy. “No Children” is the story of the alpha couple which he wrote numerous song about, but stopped doing so after this track was made. That’s because Darnielle was becoming to depressed writing these songs, and after the chorus of “I hope you die. I hope we both die.” arrives you understand why. This couple has grown to despise each other so much that they want to see their pair die, but a fear still exists about what they would be if they had to exist alone.

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Essential Albums: Modest Mouse- The Lonesome Crowded West

Modest Mouse’s name today is often associated with their most successful single “Float On” from their 2004 album Good News For People Who Love Bad News, something that frustrates basically every Modest Mouse fan out there. This is because before the radio airplay Modest Mouse was still an extremely relevant band within the Alternative Rock genre, with This Is A Long Drive For Someone With Nothing To Think About proving to be an extremely successful debut album and their third album The Moon And Antarctica fascinating many music critics and showcasing a lighter sound alongside the philosophical thoughts about religion and creation which Brock had to offer. These early albums were both created with the “classic” Modest Mouse lineup that featured Isaac Brock on vocals and guitar, Eric Judy on bass and Jeremiah Green on the drums, an extremely consolidated lineup but one that had tremendous range and capability. This is why although many point to The Moon and Antarctica as their best album, my personal favorite is their 2nd album, The Lonesome Crowded West, which captures the wide range of sounds the band is capable of and defined them as a premiere alternative rock group of the era. The album sometimes gets viewed as a concept album because of the recurring themes of both the destruction of the west to build mini-malls and religious topics, but those are really common Modest Mouse topics that the band uses on many of their tracks outside of LCW as well, so it’s a bit of a misguided label.
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