Tag Archives: Death Cab for Cutie

Song-A-Day: January 1st

Happy New Year everybody, congratulations all around for surviving until 2014. A new blog project for this year is going to be the Song-A-Day project, where I’ll find some reason to tell you about the significance of that day in terms of our music scene. Maybe a classic album was released on this day 13 years ago, maybe it’s Bono’s birthday (It’s not), or maybe I’ll have to find a much more ridiculous reason to say that a song is relevant (I’m sure a few days will be interesting choices).

For today the choice was easy, By Death Cab For Cutie, “New Year” starts off my personal favorite Death Cab album in Transatlantacism and describes the feelings of being disappointed by the regularness that sets in once the spectacular of New Year’s Eve fades away. It’s a sad song about a thought which I’d describe as surprisingly common, and I’d like everybody to know that it’s an okay one to have. January 1 is a lot like December 31, they’re just going to end differently, but if you can find a way to improve yourself in the New Year then you’ll stop your disappointments from clouding your motivation.

So this is the new year
And I don’t feel any different
The clanking of crystal
Explosions off in the distance
In the distance

So this is the new year
And I have no resolutions
For self-assigned penance
For problems with easy solutions

So everybody put your best suit or dress on
Let’s make believe that we are wealthy for just this once
Lighting firecrackers off on the front lawn
As thirty dialogues bleed into one

I wish the world was flat like the old days
Then I could travel just by folding a map
No more airplanes, or speed trains, or freeways
There’d be no distance that can hold us back.

There’d be no distance that could hold us back
There’d be no distance that could hold us back

So this is the new year

So this is the new year

So this is the new year

So this is the new year

Artists Who Are Due For Their Next Release in 2014

I hope that everybody had an excellent holiday season and received gifts which caused them joy, and I would like to remind you that these gifts don’t stop coming once the holidays are over. We receive gifts in the form of hope for the future constantly, and these less tangible items help us to make it through our daily lives because something beautiful may be on the horizon. Being as this is a music blog and I am a man who love speculating on future music releases, here are some artists who are probably due to release their new album at some point in 2014.
 
Avi Buffalo
Avi Buffalo
 
I wasn’t a fan of his when I saw him play live at our Birthday show back in 2011, but Avi Zahner-Isenberg’s ability to put together a terrific studio album shouldn’t be doubted. His self-titled debut album from 2010 holds some fantastic songs on it, such as “Summer Cum” and “What’s In It For?“. I can’t find an official page on the promise of an album from him in 2014, but his wikipedia article does suggest that the sophomore album was being constructed in 2013 and therefore can be hoped for in the upcoming year.
The Antlers
 
Purely speculation on my part, but the band has last released an album in 2011 and have only released the EP Undersea since then in 2012. For a band that’s still actively touring and writing music, I have to speculate that 2014 could reveal the fifth studio album for this talented band to display their version of soft and experimental folk-rock.
Beck
Consistently interesting and well established to the point that he’ll be able to do basically whatever he’d like, Beck is at an ideal place for a musician to be. His last studio album was done back in 2008 and was widely praised in Modern Guilt but that won’t be true for much longer as we are about to hear Beck’s twelfth studio album in February of upcoming year named Morning Phase, supposedly with a ‘Sea Change’ vibe to it.

Bombay Bicycle Club

Bombay Bicycle Club
 
A much anticipated album by me because A Different Kind of Fix was such a stellar release by the group. How will they follow it up and how much will the sound change? I guess we’ll find out on February 3rd
Brand New
 
Honestly I  don’t care to much about the release of the next Brand New album because I think I’m out of the age range where they should be relevant to me. I would agree that they are a legitimate band though, and they’re loved by a lot of my friends who know their stuff about music so it’s worth covering here that they’ve been touring a lot recently and supposedly said at a show that they have been recording new material.
Cloud Nothings
 
Attack on Memory was one of the finest releases out there in 2012, but it seems promising that they’re hinted 2014 release will be a different sound from the Cleveland noise-rockers. They’ve promised a sound which is more true to their playing style and thus the upcoming album should be expected to be more similar to the track “Wasted Days” and not-so-much like “Fall In“. Either way I’m interested in seeing how quality of a release it is and how close they come to crossing over to punk or grunge in the process.

Death Cab for Cutie

Death Cab For Cutie
 
We’re definitely out of the golden-age for this band, but I’m hard pressed to say that I won’t give a listen to anything that Gibbard releases out of respect for his voice and past writing experience. The group posted a photo on Instagram three months ago to announce the beginning the band’s work on their eighth studio album.
Death From Above 1979
 
It’s hard to not imagine the ‘what if’ for this band and their potential re-emergence into the music scene, filled with energy packed guitar rock hopefully. The album could be coming out in 2014 and I’m hopeful for it being awesome as this could make Canada the place to be for modern noise-rock as it could claim Japandroids and Death From Above 1979 (and Metz too if you want to throw them in that category).
The Drums
 
The fact that this album is coming three years after Portamento is actually a blessing because it will say a lot about how good the band actually is. Their music is incredibly fun to listen to, catchy and funny, but I’m of the opinion that a lot of artists can write about their failed past relationships in a pop song. I’m interested in hearing the band’s third studio album because I believe it will be a defining point for what kind of band The Drums will be in the future.
 
Fleet Foxes
Fleet Foxes
 
I really hope that Jonathan Tillman’s departure from the band is as insignificant as the phrase ‘The Drummer from Fleet Foxes left the band’ suggests, but I don’t think that’s a fair viewpoint because Tillman went on to release a fine solo album in Fear Fun under the moniker of Father John Misty. Still, you should be excited for the future of this band because the last time they released an album it was 2011 and they out-shined Bon Iver’s Bon Iver ,Bon Iver that year in my eyes with Helplessness Blues. The band has indicated via photos on their Facebook page that they are currently working on album number three.
Guided By Voices
 
A safe bet in any year to release an album or two so long as they’re active, Robert Pollard must be writing constantly.
The Hold Steady
 
I love Craig Finn as a lead singer, and I’m very much so anticipating hearing what lines he gets on the upcoming album (can it be much better than “She said the theme of this party’s the Industrial Age/ And you came in dressed like a train-wreck”?). Hopefully they do a national tour in support of the release because this is a band who I would absolutely love to see play live.

M83

M83
 
Haven’t seen any news that this one’s being worked on but the band has never taken more than three years to release an album, even for their most recent double album Hurry Up, We’re Dreaming back in 2011. Their next release will say a lot about how much of a premiere alternative electronic artist the band is because their last two albums have been spectacular in the aforementioned Hurry Up, We’re Dreaming as well as Saturdays=Youth in 2008.
Metronomy
 
I don’t know to much about the band, but I do know that their last album release in 2011 was The English Riviera and that one is viewed as a classic by WCDB DJ Luuk. The follow-up to that album is going to be named Love Letters and is scheduled to come out on March 10 according to their website.
Modest Mouse
 
Isaac Brock did decide to name his label Glacial Pace for a reason, though even with that in mind it’s difficult to imagine 2014 passing without hearing the new Modest Mouse album. They’ve been testing out new songs at their live shows for about the past year now, including songs being played at major festival shows, and it was well reported that they went into the studio with Big Boi of all people back in 2011 to work on new songs. I’m excited obviously as this is my favorite band, but it’s also going to be really interesting to see what a Modest Mouse album sounds like when Brock takes five years to actually put the thing together. It’s hard to imagine a potential product that has a lot of holes in it.

mountaingoats

The Mountain Goats
 
‘Due’ is a funny word to use hear because we just heard from this album in 2012 with Transcendental Youth, but John Darnielle’s history shows that this band has never had a three year gap between albums. They’re one of those bands who excel by working and writing constantly, and because of this we may very well be treated to their next album in the upcoming year.
The New Pornographers
 
This Canadian super-group is the most consistent modern pop group out there in my opinion, and they’ve been in the studio to record new material in the middle of last year. That article seems to suggest that the album may already be done, and I’m not sure about the validity of that statement, but I would place a monetary bet on the fact that there will be a new New Pornographers LP out  within the next year.
The Pains of Being Pure at Heart
 
It’s not speculation to say that they plan on releasing an album in 2014, but it is speculation to say that I think it will end up being one of the defining albums of the year. The band has had an absolutely stellar first two albums in S/T and Belong, and the timing seems right for this band to step into the spotlight.

the Raveonettes

The Raveonettes
 
No news on a new album by this group, but ‘an album every two years’ seems to be a relevant statement with this band’s discography, and their last release was in 2012 with Observator.
Real Estate
 
The band announced via Youtube videos (#1 and #2) that their third studio album will be released in 2014. I’m excited for it because I enjoyed Days a lot in 2011 and find their music to be relaxing, but this album should mean something significant about how legitimate of an artist the group is. Third releases mean a lot, and we’ll see if the band has progressed the sound for their third release or not rather soon it appears.
Robert Pollard
 
See: Guided By Voices
Ryan Adams
Ryan Adams
 
His Wikipedia page states that he did a live show in 2013 where the venue stated he was playing new songs from his forthcoming album, so that’s what we have to work with here. It makes sense since his last album release came out in 2011, and it’s the better alternative to just drifting out of music which it seemed like he may have been heading towards before I heard this news, so this is a good thing.
Spoon
 
You talk about ‘cool’ bands in the music scene, I will contend that Britt Daniel is the coolest man in the music scene, and I can not freaking wait to hear the next album by this band which will supposedly get released in 2014. The band has been very consistent with their quality so I’m liking the chances of Spoon putting out one of the better albums of the year once it does actually get released.
Stephen Malkmus & the Jicks
 
Wig Out at Jagbags is set to be released on January 7 2014, thus making it the earliest release to be excited about that I’m aware of. Malkmus is a terrific front-man, and if they consistently give hysterical social commentary like they did on “Senator” off of Mirror Traffic in 2011 then I will be one happy man.
Sufjan Stevens
Sufjan Stevens
 
The time seems right to start hoping for a new release from Sufjan. He did release his second Christmas Songs box set in 2012 with Silver & Gold: Vols. 6-10 but the last true album which we’ve received from him was the widely experimental and interesting Age of Adz back in 2010. It should be very interesting to hear what direction Stevens chooses to take for his next album as the last one was so unprecedented that it’s difficult to know if it is a permanent sound shift or an artistic experiment in the same way that Arcade Fire’s Reflektor is making me ask the same question about that band. Guess we’ll just have to wait to find out in both cases.
Tame Impala
 
The band’s got a lot of attention on it after the success of Lonerism in 2012, so if 2014 does hold the follow-up to that album then there will be a lot of coverage on Tame Impala in the upcoming year. For most band’s that rise to national recognition is a wonderful thing and justification for the effort, but I’ve got to speculate on how well they would handle the actual role considering the recurring song themes, and even the actual album name of their last release. A band that has the talent to be a premiere group, but a band who likely don’t feel comfortable with the modern social demand that fans give to their favorite artists, and the truth is that there’s absolutely nothing wrong with that if that’s how they prefer to work.
Titus Andronicus
 
A motivated Patrick Stickles is a wonderful thing to hear as The Monitor has shown us, and the upcoming release is getting billed as a 30-track modern rock opera with the theme of Manic Depression. In other words, this release is probably going to be mind-blowingly good while also being completely different from anything else that they’ve released before. There’s a lot of reason for excitement about this release.

Wilco

Wilco
 
No announcement of studio work for the group, but that doesn’t seem all that strange since Tweedy does all of that stuff internally now anyways. The last time we got a Wilco album was the solid The Whole Love back in 2011 so it would make sense to hope that 2014 will be the landing point for studio album number nine from the group.
Anybody else? Likely. Realize that while it’s incredibly fun to speculate on what albums are going to define the upcoming year, it’s a difficult thing to be completely accurate on because years will often get best represented by albums which nobody saw coming. Still, these are all releases which are going to demand a listen from me and carry the hope that 2014 could be an excellent year for music where many talented artists are due for their latest release.

Kyle’s Favorite 100 Songs: 60-51

Here are numbers 60-51 on my countdown of my 100 favorite songs.

60. Death Cab For Cutie- Steadier Footing

This is the chance I never got/ To make a move, but we just talk about/ The people we’ve met in the last five years/ And will we remember them in ten more.

A really short and pretty song by Death Cab from earlier in their career, “Steadier Footing” captures Gibbard people watching from his porch late night after a party. He was looking for some isolation, but he found himself in a conversation which was incredibly genuine and capped off the night well for him. I always loved the talking point about if the people who you’re currently friends with will still be friends of yours in ten years because it’s a very real fear for myself, in an ever-changing world you have to wonder if the good things will stay constant.

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59. Bright Eyes- Amy in the White Coat

“You see, we’re all trying to endure/ You could easily go and make your own life somewhere/ Couldn’t you?

I dug into Noise Floor after hearing the more popular Bright Eyes albums and loving them, and I remember that on the first listen I enjoyed it, but the only songs that really jumped out at me were the Daniel Johnston cover of “Devil Town”, the piano-lead “Drunk Kid Catholic”, and “Amy in the White Coat”(in hindsight, “Blue Angels Air Show” should have been in this grouping). At the point though I hadn’t followed the storyline to “Amy in the White Coat”, I just remembered it as a good song that I wanted to re-visit, and on that second listen I was stunned and saddened. The entire track is about a girl, Amy, who is in an incredibly bad living situation with her father (I don’t feel fully comfortable typing out how so). The horrible part is that Amy’s just found a way to deal with it because she needs to be there to survive, so she doesn’t really see an alternative. It’s the saddest song I’ve ever heard.

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58. Radiohead- The National Anthem

“Everyone/ Everyone is so near/ Everyone has got the fear/ It’s holding on.”

I respect Radiohead a lot but I don’t obsess over them, in fact the only real Radiohead song that I feel a strong connection to is “The National Anthem”. I like how this song attacks you as new instruments get introduced to the chaos in response to Thom Yorke’s messages to the masses. Everything seems like it really belongs in the track, as Radiohead creates a national anthem where the nation doesn’t get rid of the ugly, where it isn’t meant to be sung by kids in school, and where there are just long segments of chaotic noise occurring.

Continue reading Kyle’s Favorite 100 Songs: 60-51

Kyle’s Favorite 100 Songs: 80-71

Here are numbers 80-71 on my countdown of my 100 favorite songs.

80. Fleet Foxes- Helplessness Blues

What good is it to sing helplessness blues?/ Why should I wait for anyone else?

The opening message of this song is really true for me too. As I grew up all that people talked to me about how we’re all unique and will have individual lives, but I didn’t really see it like that. I could buy that we were all different, but I always worked towards a goal that benefits the whole anyway. I believe in uniqueness but I don’t feel like that’s overly important. The bad part is that once you take on that line of thinking, there are ways where you’re expected to act which can sometimes be a struggle to actually fulfill. It’s scary, but that feeling is what the entire track and album is about because of how common the feeling is for us but also necessary to state.

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79. Bon Iver- Skinny Love

“And now all your love is wasted/ And then who the hell was I?

I make fun of Bon Iver now for really no fair reason. It’s not his fault that people anoint him as the premier folk artist of the moment, and it’s not his fault that he grew to be an example/joke for the artists that are large in the alternative music scene but unheard of outside it. “Skinny Love” is a track which justifies a lot of For Emma, Forever Ago because it becomes clear that when this girl left Justin Vernon he was still madly in love with her. It was nonsensical to him because he loved her wholeheartedly and she still just decided to leave. Harsh.

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78. Death Cab For Cutie- A Lack of Color

“And when I see you/ I really see you upside down.”

There are some songs where the guitar in itself sounds like it’s singing to you. In “A Lack of Color” it sounds as if it harmonizes with Gibbard as they both present a depressingly sad story of loss in a light and pretty way. I end up finding lines like the one above and the later mentioned “And all the girls in every girly magazine can’t make feel/ Any less alone…” gorgeous but I feel awful because of how it hurt the singer to go through it. It’s a weird counterbalance that defines the song for me.
Continue reading Kyle’s Favorite 100 Songs: 80-71

Essential Albums: Death Cab for Cutie- Transatlantacism

Death Cab for Cutie is one of the best examples of an alternative band that successfully marketed themselves to a mainstream audience after their 2005 release Plans, an album containing the popular tracks “Crooked Teeth”, “Soul Meets Body” and “I Will Follow You Into the Dark”. A ton of new attention came to the band with this release as Benjamin Gibbard’s soft voice and high range alongside the band’s energy and clever lyrics provided an easy sound to like; but the truth is that Plans was and still is a singles-heavy album that was less cohesive than other albums the band had already released. We Have the Facts and We’re Voting Yes in 2000 and The Photo Album were both great albums cover to cover, with the latter containing possibly the best Death Cab song ever in “Steadier Footing”.

Continue reading Essential Albums: Death Cab for Cutie- Transatlantacism